Series: «107», 2008 | “The first plate was done when he was ninety-three, the second at the age of 106, and the third plate at the age of 107, |
Melal, welding, 17 parts | the year of his death. Although the first version of wa (harmony) is powerful, the line of the last version radiate vitality, |
revealing greater clarity and depth. This display of energy is testimony to a lifetime of study”. |
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Russian povera | |
Perm, 2008 | From the text about Hirakushi Denchu (1872-1979) |
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1. Without Title, 200X120 cm. PERMM Museum of Contemporary Art, Perm, donation of Nadezda Agisheva. |
10. Mi Fu (960-1127), “Sailing on the Wu River”, 180X120 cm. PERMM Museum of Contemporary Art, Perm, donation of Nadezda Agisheva. |
2. Gibon Sengai (1750-1837), “Spring is Slumberous”, 200X120 cm. | 11. Hirakushi Denchu (1872-1979), “Harmony”, 100X100 cm. |
3. Daikyo Shonen (1215 -1289), “Certificate Conferring a Buddhist Name”, 120X200 cm. |
12. Kamishiro Hidehiko (1792-1845), “Cherry Blossom Rain”, 200X93 cm. |
4. Inoue Shiro (1742-1812), “Moon”, 120X200 cm. Collection of Nadezda Agisheva, Perm. |
13. Gibon Sengai (1750-1837), “Meditating Frog”, 120X150 cm. |
5. Fujiwara Sadanobu (1088-1156), “The character butsu (Buddha) from Section of |
14. Dong Qichang (1555 -1636), “Chaotic Notes I”, 137X106 cm. |
6. Sakugen Shuryo (1501 – 1579), “Rain”, 75X75 cm. Collection of Alain Nicolet, France. |
15. Dong Qichang (1555 -1636), “Chaotic Notes II”, 100X75 cm. |
7. Ryu Kobi (1714 – 1792). “Dragons Growl”, 100X75 cm. Collection of Philippe Dejacques, France. |
16. Without Title, 180X120 cm. |
8. Tominaga Jakugon (1702-1771), “Wind”, 100X75 cm. | 17. Takebe Ayatari (1719-1794), “Moon”, 120X180 cm. Collection of Nadezda Agisheva, Perm. |
9. Gibon Sengai (1750-1837), “Monument to the End of the Brush”, 100X100 cm. |
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