Series: «107», 2008 “The first plate was done when he was ninety-three, the second at the age of 106, and the third plate at the age of 107,
Melal, welding, 17 parts the year of his death. Although the first version of wa (harmony) is powerful, the line of the last version radiate vitality,
 

revealing greater clarity and depth. This display of energy is testimony to a lifetime of study”.

Russian povera  
Perm, 2008

From the text about Hirakushi Denchu (1872-1979)

   
   

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1. Without Title, 200X120 cm. PERMM Museum of Contemporary Art, Perm, donation of Nadezda Agisheva.

10. Mi Fu (960-1127), “Sailing on the Wu River”, 180X120 cm. PERMM
Museum of Contemporary Art, Perm, donation of Nadezda Agisheva.
2. Gibon Sengai (1750-1837), “Spring is Slumberous”, 200X120 cm. 11. Hirakushi Denchu (1872-1979), “Harmony”, 100X100 cm.

3. Daikyo Shonen  (1215 -1289), “Certificate Conferring a Buddhist Name”, 120X200 cm.
Herve Loevenbruck collection, France.

12. Kamishiro Hidehiko (1792-1845), “Cherry Blossom Rain”, 200X93 cm.

4. Inoue Shiro (1742-1812), “Moon”, 120X200 cm. Collection of Nadezda Agisheva, Perm.

13. Gibon Sengai (1750-1837), “Meditating Frog”, 120X150 cm.

5. Fujiwara Sadanobu (1088-1156), “The character butsu (Buddha) from Section of
“The Emergence of the Treasure Tower”, Chapter II of the Lotus Sutra. 100X75 cm.

14. Dong Qichang (1555 -1636), “Chaotic Notes I”, 137X106 cm.

6. Sakugen Shuryo (1501 – 1579), “Rain”, 75X75 cm. Collection of Alain Nicolet, France.

15. Dong Qichang (1555 -1636), “Chaotic Notes II”, 100X75 cm.

7. Ryu Kobi (1714 – 1792). “Dragons Growl”, 100X75 cm. Collection of Philippe Dejacques,  France.

16. Without Title, 180X120 cm.

8. Tominaga Jakugon (1702-1771), “Wind”, 100X75 cm. 17. Takebe Ayatari (1719-1794), “Moon”, 120X180 cm. Collection of Nadezda Agisheva, Perm.

9. Gibon Sengai (1750-1837), “Monument to the End of the Brush”, 100X100 cm.